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          I knew I 
          wanted to be a screenwriter....... 
            
           when I tried to 
          find a short screenplay to direct and produce and found nothing I 
          liked. It was time to start writing. My short film LEO AND MARS 
          emerged from this effort. 
            
          I know I've 
          succeeded....... 
             
          
          because I am pleased with the films I've 
          written, directed and produced so far and they have met with some 
          modest success. Not enough as I'm not making a feature but some. 
            
          
          My inspiration 
          to write 
          SNAKE....... 
           
          was threefold.  
          
            - My need to have 
            a third film to fill out the trilogy of short films I envision 
            called, THEY DID IT FOR LOVE. LEO AND MARS and CALL CRYSTAL are 
            finished. 
 
            - Some people I 
            once knew and observed from a safe distance who roughly lived this 
            situation. 
 
            - I love the Blue 
            Angel and wanted to make an updated version of it.
 
           
            
          ***************************************************************** 
            
          
          
          FilmMakers 
          Magazine: 
          What inspired you to write? 
           
          Perry T. 
          Schwartz: After I decided I needed to in order to direct and produce an original 
          screenplay, I looked for a metaphor to talk about my experience in 
          relationships. A song by John Hiatt got me started and LEO AND MARS 
          just evolved from that beginning. I write so I can direct. I also 
          direct adaptations that I do of plays. Currently I am working on a 
          short story adaptation as a feature film. 
           
          FilmMakers Magazine: How did you prepare yourself to 
          write your first script?   
          
          Perry T. Schwartz:  I first had to find the metaphor to write around. Once I had that, I 
          just wrote dialogue and scene ideas as they came to me over about a 
          six week period. Then in two weeks the script came together. It did, 
          however, take a completely different direction than I had intended. It 
          more or less wrote itself into the world of the future that became the 
          world of LEO AND MARS. 
          
          FilmMakers 
          Magazine: 
          Is this your first script and how long did it take you to write SNAKE? 
          
          Perry T. Schwartz: 
          No, this is not my first script. This script has been in development for 
          several years. 
          
          FilmMakers 
          Magazine: 
          Do you have a set routine, place and time management for writing? 
          
          Perry T. Schwartz: No I do not unless I know I have a deadline to meet. 
          This is, of course, a bad idea as a writer because you don't get much 
          done without setting aside specific time for writing. 
           
          FilmMakers Magazine: Do you believe screenplay contests 
          are important for aspiring screenwriters and why? 
          
          Perry T. Schwartz: 
          Yes, I do. Just getting as far as I have in this contest, encourages me 
          to get to work on the feature I want to finish. I simply need to make 
          time for it and establish a writing schedule. This is not easy when 
          one wears so many different hats and real life intrudes on writing 
          life. 
           
          FilmMakers Magazine: What influenced you to enter the 
          American Gem Short Script Competition? 
          
          
          Perry T. Schwartz:
          Saw it on Withoutabox and decided it would be worth entering. And 
          it was. 
          
          
          FilmMakers 
          Magazine: 
          What script would you urge aspiring writers to read and why? 
           
          
          Perry T. Schwartz: 
          
           I don't read 
          many scripts. I think seeing the film is far more important than 
          reading the script.  
          
          FilmMakers 
          Magazine: 
          Beside screenwriting what are you passionate about and why? 
          
          Perry T. Schwartz: 
          I am passionate about film production and directing. The whole process 
          of developing the script for shooting, shooting and editing I find 
          enormously exciting and satisfying. I also love my wife and my 
          Airedale Terrier. 
          
          FilmMakers 
          Magazine: 
          Who is your favorite Screenwriter and Why?  
          
          Perry T. Schwartz:  
          At the moment, Paul Haggis. I think he accomplishes with great ease 
          the dual purpose of art, to arouse emotions and stimulate thought. The 
          best screenwriters do that. Although I must say, I admire writers who 
          can just write really could comedy. Laughter is so important. 
          
          FilmMakers 
          Magazine: 
          Name the director you would love to work with and why?  
          
          Perry T. Schwartz: 
          I admire many directors. Do I want to work with them, no. I am a 
          director and have been one in both theatre and film for a very long 
          time. I learn from the great one's as I see their work. I don't need 
          to work with them. Of course, I would be happy to have one of the 
          great directors, produce with me and fund a project of mine. 
          
          FilmMakers 
          Magazine: 
          Name the actor you would love to work with and why? 
           
          Perry T. 
          Schwartz: There are so many really good actors today to name a specific one would 
          be very difficult. I would like to work with an actor who loved the 
          role I offered them and could be totally convincing as the character. 
          Sure a name actor would be terrific because that might work toward a 
          project being financially successful. 
          
          FilmMakers 
          Magazine: 
          Any tips and things learned along the way to pass on to others?
           
          
          Perry T. Schwartz: 
          You must have a good script that has characters that people can 
          believe in. That doesn't mean they have to like the characters but 
          they must believe them in whatever the world is that is created by the 
          film. In addition to a good script, production values must be up to 
          the high professional level today's audiences have come to expect. 
          
          FilmMakers 
          Magazine: 
          What's next for you? 
           
          Perry T. 
          Schwartz: Get SNAKE produced. Finish my feature script and get it produced. 
           
          FilmMakers Magazine: Where will you be five years from 
          now? 
           
          Perry T. 
          Schwartz: Retired, not teaching and not running a performing arts center. 
          Hopefully I will be making a feature film somewhere, somehow. You 
          always have to keep working on the dream.  |