Responsibilities and Job Skills of a Film Director
The job, responsibilities and skills
of a film director is never easy. The film director directs the
cast and crew and controls the direction in the making of a film. The
best movie directors are able to clearly communicate their vision to the
cast and crew then guide them to that end. The film director can't do
everything alone but the director must know what the main cast and crew
on his team can do.
What and who is a film
How to find the right script, casting and directing actors, how to
manage the cast, crew, studios, etc. The film
by FilmMakers Magazine.
A good film director makes sure that all parts of a film are creatively produced and brought together in a single totality. A
movie director interprets the script, coaches the performers, works together with the montagist, etc., interrelating them all to create a work of art. According to Film Scholar Eric Sherman, the
film director begins with a vague idea of the entire film and uses this to help him determine what is to be done. He gains most when others are given their freedom to show what they know.
Director responsibilities and
It varies greatly and is extremely complex. The film director is seen as a leader of others, as providing a kind of guiding force. According to this view, the final outcome is more or less predetermined by requirements of the script, camerawork, acting, and editing; the director providing certain organizational context to the picture.
Judging from the comments of most professional film directors, there is very little agreement as to what exactly their function is. There are some
movie directors who say that they must concentrate primarily on the structures of the script. If their films are to be works of art, it will be because of the inherent beauty in the narrative and dialogue patterns in the script. Other
film directors are occupied primarily with the performance of actors. To them, the beauty of the film will be correlative with the quality of acting. These
movie directors attend not only to the performance as a whole, but to endless minor nuances and gestures throughout.
film directors attend primarily to the camerawork, their chief concern being for a pictorial beauty and smoothness of execution. There are still other
film directors who say that the art of film resides in the editing process. For them, all steps prior to editing yield crude material, which will be finally shaped and lent an artistic worth through their imaginative juxtaposition. The point is that there have evolved nearly as many theories of film directing as there are
Only the film Director stands apart from any one particular contributory element but
the director lends to all of them a sense of the pictures
We cannot, while watching a film for the first time, point out particular shots or lines of dialogue and fully appreciate their ultimate relationship to the entirety of the picture. Similarly, the actor concentrating on every gesture, the writer concerned with logical narrative and captivating dialogue, the cameraman dealing with isolated images, and the editor concerned with the rhythmic flow are not in the position that the director is to grasp the film as a whole.
Only the movie director stands apart from any one particular contributory element but lends to all of them a sense of the pictures entirety. Many of the strongest
movie directors have refrained from virtually any function besides that of an overseer of the film.
The director, whether he explicitly controls all the subordinate work in a film or merely creates a certain context through his very presence, is the only participant in a film's creation whose moment of self-expression is wide enough and, thus, whose artistic vision may come to characterize the film as a whole. The director's very role in the filmmaking process forces him to attend-explicitly or implicitly-to the entire film.
For a film director, this limits and determines what the basic drive should be of all the
other contributing elements. As previously stated, the director's concern is
always conditioned by a sense of the whole. The film Director selects and guides all work and
shapes it along the necessary route to achieve (as close as possible) what he
has in mind.
When it is said that the director approaches a film with a sense of the whole in mind, obviously it is not meant that
the Director has a complete knowledge of the finished product in all its parts. In fact, a director learns, as the production of the film progresses, exactly what it was that
the film Director had envisioned. There is no "beautiful shot" or "great cut" that has not been conditioned by the overriding vision of the whole that only the
film director provides.
Who and What is a Film Director?
By definition, the
movie director creatively translates the written word or script into specific sounds and images.
The Director visualizes the script by giving abstract concepts concrete form. The director establishes a point of view on the action that helps to determine the selection of shots, camera placements and movements, and the staging of the action.
The movie director is responsible for the dramatic structure, pace, and directional flow of the sounds and visual images.
The movie Director must maintain viewer interest. The director works with the cast /
actors (talent) and crew (department heads), staging and plotting action, refining the master shooting script, supervising setups and rehearsals, as well as giving commands and suggestions throughout the recording and editing.
Who is the Film
Director if Compared to Other Jobs?
A bricklayer laying brick upon brick? A conductor of a great orchestra? These descriptions fall short of the mark because what is being build is more volatile than stable, more fluid than secure. Director Roland Joffe (The Killing Fields) stated, "being a
film director is like playing on a multilayered, multidimensional chessboard, except that the chess pieces decide to move themselves." Every
movie director has his own vision of what they feel directing entails.
Roman Polanski finds that "First of all, directing a film is an idea that you have
of a total flow of images that are going on, which are incidentally actors,
words, and objects in space. It's an idea you have of yourself as a director, like the idea
you have of your own personality, which finds its best representation in the
world in terms of specific flows of imaginary images. That's what directing a
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