|Jvc Gy-dv700w Camcorder - Body With Tripod plate. and fujinon 17x lens, requies: viewfinder and battery
|Instruction manual, Tripod mounting
plate, Microphone and fujinon 17x lens|
|From the documentary producer to the
Hollywood director, the versatility of digital video has long
intrigued filmmakers. JVC introduces the digital solution that
offers the missing factor to the digital cinema equation--the
outstanding image quality of the GY-DV700WU CineDV
The GY-DV700W camcorder features three new 2/3-inch Interline Transfer CCDs and is switchable between its native 16:9 aspect ratio and the traditional 4:3. With enhanced sensitivity, the GY-DV700W provides additional functionality to broadcasters and independent producers. The ability to shoot in the 16:9 aspect ratio make this camera very attractive to the growing independent movie production community, which has been buoyed by the success of "The Blair Witch Project."
Drawing on JVC's heritage of extraordinary camera design, this PROFESSIONAL DV camcorder does not sacrifice quality or performance. The GY-DV700W achieves a sensitivity of F11@2000 LUX. The camera portion of the GY-DV700W delivers the equivalent of 750 lines of horizontal resolution and a wealth of professional, broadcast features, including 14-bit digital signal processing, Full Auto White, Black Stretch/Compression, built-in Genlock, zebra level indicator and JVC's renowned LoLux low light performance. The camera can either be operated in the full manual mode, made easy because of its professional-standard ergonomic design, or, for added convenience, can be switched to Full Auto Shooting.
Developed in cooperation with the BBC, the CineDV DV700 combines three state-of-the-art 2/3-inch, true 16:9 CCDs with JVC's original high-performance dual-pipeline 14-bit DSP (Digital Signal Processing) for truly exceptional image quality. This combination gives you the power to unleash the creative potential of the DV format like never before.
Even down to its very design, the CineDV DV700 was created with the professional's needs in mind. Controls are exactly where you expect. A full range of professional accessories is available. And you'll even find advanced features like TC and Super Scene Finder for automatic scene logging.
Creative innovations are only part of the story. The CineDV DV700 affords filmmakers practical breakthroughs as well. Superior cost efficiency of both the camera and the DV format allows more of a production's precious budget to be spent on casting, music, wardrobe and other equipment.
The CineDV DV700 gives you all the tools you need to work in a professional yet practical way. Just ask the winner of the Vancouver Film Festival's One Shot Challenge, who selected the CineDV for its creative potential, sophisticated tools, effects and features.
Finally, there's a DV camcorder that offers filmmakers, broadcasters and independent producers maximum functionality and truly unprecedented creative flexibility. With the CineDV DV700, digital cinematography has clearly arrived.
|Three 16:9 2/3" interline-transfer CCDs (480,000 pixels x3)|
|14-bit digital signal processor (DSP)|
|High-quality PCM digital audio|
|Native 16:9/4:3 switchable|
|Super Scene Finder (SSF)|
|Audio/Video||Audio 16-bit, 48 kHz or 12-bit, 32 kHz PCM for
2 channels Frequency response: 20 Hz to 20 kHz (16-bit), 20 Hz
to 14.5 kHz (12-bit) S/N: 59 dB or more Dynamic range: 79 dB
Video 8-bit, 13.5 MHz, 4:1:1 component recording
|Television System||NTSC (wide-band R-Y, B-Y encoder)|
|Tape Format/Speed||DV format uses MiniDV tape|
|Image Sensor||Three 16:9 2/3" interline-transfer CCDs (480,000 pixels x3)|
|Lens||B4 lens mount compatible with Prime HD lenses, 16:9 switchable, and standard 2/3" lenses|
|Min. Focus Distance||na|
|Illumination||Sensitivity: F11, 2000 lux (min. illumination 0.75 lux) w/LOLUX|
|Filter Size||2/3" bayonet system|
filter: 3200K, 5600K, 5600K + 1/8ND/5600K + 1/64ND
|Input terminals||Three XLR connectors provide line or
microphone input level|
Bi-directional IEEE 1394 interface: 4-pin (digital data + VTR section control)
SMPTE time code input/output
Genlock/video input: BNC
RS-232C interface: Mini DIN 6-pin
VF connector: 20-pin
Audio inputs (AUDIO 1, AUDIO 2) MIC: -60 dBs, low impedance (XLR), balanced LINE: +4 dBs, 10 kohms, balanced Line outputs (LINE 1, LINE 2): -6 ± 1 dBs, low impedance (RCA), unbalanced
Time code input/output
|Output terminals||Video output: 1.0 Vp-p, 75 ohms (BNC)
(composite video signal) |
Y/C output: Y/C signal, 4-pin, 75 ohms, unbalanced
|Digital Photo Mode||na|
|Microphone||Microphone well compatible with Sony 820 wireless|
|Headphone Jack||Stereo mini-jack (monaural)|
|Power Requirements||DC 10.5 V to 17 V Approx. 20 W|
|Dimensions||290 (W) x 245 (H) x 130 (D) mm (11-7/16" x 9-11/16" x 5-1/8")|
|Weight||body itself weighs only 3 kg (6.6 lbs.)|
5.5 kg (12.1 lbs.) W/lens, viewfinder, battery pack and tape