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News & Info: FilmMakers.com 1st annual 2000 Screenwriting Contest 
James Morganelli
 Second Place
Winner

Interview

James Morganelli
of
Riverside, Illinois

CAPTIVE MOON Action / Drama
Log line: Log line: A disillusioned FBI agent is drawn into an epic quest to rescue a Tibetan-American ‘soul boy’ from the hands of a murderous Chinese general, by his only allies - a mysterious 650-year-old cadre of Ninja warriors.
James Vincent Morganelli has been writing screenplays for the past ten years. He finished his first script, "Kensei" at the age of 21. Graduating from the University of Illinois Urbana-Champaign, with a major in Philosophy and a concentration in screen and creative writing, he traveled to Tokyo, Japan, staying for three years and completing his second screenplay, "The Regulators.” He currently resides in Chicago where he has finished his third screenplay, "Captive Moon," which has won two contests as well as placed in the prestigious Nicholl Fellowships in Screenwriting of the Academy of Motion Picture Arts and Sciences. With more than 20 years of training in martial arts, James has the incredible distinction of being one of only 1200 people worldwide to receive a Shidoshi, teacher’s, license in the martial art of Ninpo – the art of the Ninja. Known properly as Bujinkan Budo Taijutsu, under renowned martial arts master Dr. Masaaki Hatsumi, James has a remarkable perspective into the mysterious and often misunderstood world of these esoteric warriors from feudal Japan. His depth of knowledge and understanding of Ninpo’s techniques and philosophy permeate his screenwriting, resulting in heart-stopping action sequences and positive messages of protecting and defending others. 

I knew I wanted to be a screenwriter ....

In sixth grade -- I tried to rewrite and film, "Raiders of the Lost Ark." I had cast myself in the role of director, writer, producer, and of course, Indy himself. It was a disaster. But I did have fun wrapping the bullwhip around the girl who was playing Marion. 

I know I've succeeded....

The check clears -- sorry, that's the short answer. When I can get paid to do what I love, what's better than that? 

My inspiration to write Captive Moon.....

Came from a true-life incident: In 1995, the People's Republic of China kidnapped a young Tibetan boy after the Dalai Lama had proclaimed him as the reincarnation of the Panchen Lama -- the 'moon' to the Dalai Lama's 'sun'. The boy was six at the time and has never been seen or heard from since. 

 

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FilmMakers Magazine: What inspired you to write?

James Morganelli: As a kid, I drew a lot. I was always a creative sort and I made up my own characters and stories. Eventually, I wanted to tell the stories that I was waiting to see. By college, a creative writing course challenged me to put them on paper, so I did. 

FilmMakers Magazine: What did you do to prepare yourself to write your first script?

James Morganelli: I had been involved in acting and video production for most of my life and had written scripts previously, but they had not been professional in any way. So, when I took my first college screenwriting course, I decided to get serious and really learn the format and craft. I wrote 'KENSEI' in one month. I remember I had this big candle I would light and keep next to me whenever I wrote. I was like, I'm gonna finish this script before this candle burns down. It actually helped motivate me and set the mood. My life became that script, everything else took a back seat until it was finished. 

FilmMakers Magazine: Is this your first script and how long did it take you to complete?

James Morganelli: "Captive Moon" is my third script and I first had the idea back in 1995. How long until it was completed? I'm not sure it is. There's a saying I heard that goes something like, "Art is never really finished, it only reaches states of temporary satisfaction." The script has gone through a bunch of rewrites and may be in for more, but I like where it's at right now. 

FilmMakers Magazine: Do you have a set routine, place and time management for writing?

James Morganelli: Kind of. I like to go somewhere, usually a coffee shop or something, put my walkman on, and write my scripts in a notebook. By then I know my outline and have picked out appropriate music, which is huge with me. I'll spend an hour searching my cds for just the right song to inspire me for a particular scene. And if I don't have it, I'll go out and buy music on the spot that I think will. I see it as investing in my work, plus I wind up with a really kick-ass music library. 

FilmMakers Magazine: Do you believe screenplay contests are important for aspiring screenwriters and why? 

James Morganelli: Definitely -- they get you on the map. Enter them. But be wary of the fly-by-night ones. Do the contests that have been around a few years.

FilmMakers Magazine: What script would you urge aspiring writers to read and why? 

James Morganelli: Any and all. Every script has something to teach, even the bad ones, cuz they teach you what's bad, right? I mean, most of the time it's a given -- you're writing a romantic-comedy, so you read romantic-comedies. But don't shut yourself off from everything else. Learn tone, rhythm, and timing from everything you read. 

FilmMakers Magazine: Beside screenwriting what are you passionate about and why?

James Morganelli: My Budo training is very important to me. In many ways, it has helped define me not only as a person, but as a writer as well, because I write like I practice Budo. 

FilmMakers Magazine: Who is your favorite Screenwriter and Why? 

James Morganelli: I have a bunch. Shane Black is one of my favorites. "Lethal Weapon" is a great script.

FilmMakers Magazine: Name the director you would love to work with and why? 

James Morganelli: There are so many talented directors. I recently saw 'Black Hawk Down' and was blown away with Ridley Scott's direction. The way the action and story were orchestrated is nothing short of incredible.

FilmMakers Magazine: Name the actor you would love to work with and why?

James Morganelli: Jackie Chan -- hands down. He's been my hero since I was a kid watching, "Samurai Sunday" Kung Fu theater.

FilmMakers Magazine: Any tips and things learned along the way to pass on to others?

James Morganelli: Always write what you're passionate about. That way, at least if it never sells, you won't kick yourself for writing it.

FilmMakers Magazine: What's next for you?

James Morganelli: I just returned from a week of meetings in LA with some pretty high-profile folks. So, I'm hoping I planted seeds that will bear fruit. 

FilmMakers Magazine: Where will you be in six years from now? 

James Morganelli: Hopefully, happy, healthy, and writing ... for a paycheck! Yeah, baby!

Logline and synopsis for top ten scripts
interview with
first place winner second place winner
third place winner fourth place winner
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